| eBook Code |
Title |
Author |
| ADGB002 |
Aboriginal American Authors and Their Productions
|
Daniel G. Brinton |
| TBCX001 |
Aesthetic as Science of Expression and General Linguistic
|
Benedetto Croce |
| EGKC029 |
Alarms and Discursions
| |
On Gargoyles |
| |
The Surrender of a Cockney |
| |
The Nightmare |
| |
The Telegraph Poles |
| |
A Drama of Dolls |
| |
The Man and His Newspaper |
| |
The Appetite of Earth |
| |
Simmons and the Social Tie |
| |
Cheese |
| |
The Red Town |
| |
The Furrows |
| |
The Philosophy of Sight-seeing |
| |
A Criminal Head |
| |
The Wrath of the Roses |
| |
The Gold of Glastonbury |
| |
The Futurists |
| |
Dukes |
| |
The Glory of Grey |
| |
The Anarchist |
| |
How I Found the Superman |
| |
The New House |
| |
The Wings of Stone |
| |
The Three Kinds of Men |
| |
The Steward of the Chiltern Hundreds |
| |
The Field of Blood |
| |
The Strangeness of Luxury |
| |
The Triumph of the Donkey |
| |
The Wheel |
| |
Five Hundred and Fifty-five |
| |
Ethandune |
| |
The Flat Freak |
| |
The Garden of the Sea |
| |
The Sentimentalist |
| |
The White Horses |
| |
The Long Bow |
| |
The Modern Scrooge |
| |
The High Plains |
| |
The Chorus |
| |
A Romance of the Marshes |
|
G. K. Chesterton |
| EGKC024 |
All Things Considered
| |
The Case for the Ephemeral |
| |
Cockneys and Their Jokes |
| |
The Fallacy of Success |
| |
On Running After One's Hat |
| |
The Vote and the House |
| |
Conceit and Caricature |
| |
Patriotism and Sport |
| |
An Essay on Two Cities |
| |
French and English |
| |
The Zola Controversy |
| |
Oxford From Without |
| |
Woman |
| |
The Modern Martyr |
| |
On Political Secrecy |
| |
Edward VII and Scotland |
| |
Thoughts Around Koepenick |
| |
The Boy |
| |
Limericks and Counsels of Perfection |
| |
Anonymity and Further Counsels |
| |
On the Cryptic and the Elliptic |
| |
The Worship of the Wealthy |
| |
Science and Religion |
| |
The Methuselahite |
| |
Spiritualism |
| |
The Error of Impartiality |
| |
Phonetic Spelling |
| |
Humanitarianism and Strength |
| |
Wine When it is Red |
| |
Demagogues and Mystagogues |
| |
The "Eatanswill Gazette" |
| |
Fairy Tales |
| |
Tom Jones and Morality |
| |
The Maid of Orleans |
| |
A Dead Poet |
| |
Christmas |
|
G. K. Chesterton |
| ADGB001 |
American Hero Myths
|
Daniel G. Brinton |
| EBRX001 |
The Analysis of Mind
| |
Recent Criticisms of "Consciousness" |
| |
Instinct and Habit |
| |
Desire and Feeling |
| |
Influence of Past History on Present Occurrences in Living Organisms |
| |
Psychological & Physical Causal Laws |
| |
Introspection |
| |
The Definition of Perception |
| |
Sensations and Images |
| |
Memory |
| |
Words and Meaning |
| |
General Ideas and Thought |
| |
Belief |
| |
Truth and Falsehood |
| |
Emotions and Will |
| |
Characteristics of Mental Phenomena |
|
Bertrand Russell |
| EMXB001 |
And Even Now
| |
A Relic |
| |
How Shall I Word It? |
| |
Mobled King |
| |
Kolniyatsch |
| |
No. 2 The Pines |
| |
A Letter That Was Not Written |
| |
Books Within Books |
| |
The Golden Drugget |
| |
Hosts and Guests |
| |
A Point to Be Remembered By Very Eminent Men |
| |
Servants |
| |
Going Out For A Walk |
| |
Quia Imperfectum |
| |
Something Defeasible |
| |
A Clergyman |
| |
The Crime |
| |
In Homes Unblest |
| |
William and Mary |
| |
On Speaking French |
| |
Laughter |
|
Max Beerbohm |
| EGAX014 |
Anglo-Saxon Britain
|
Grant Allen |
| GSFX067 |
The Antithetical Sense of Primal Words
|
Sigmund Freud |
| IJMS006 |
The Aran Islands
|
John M. Synge |
| GASX004 |
The Art of Literature
| |
On Authorship |
| |
On Style |
| |
On The Study of Latin |
| |
On Men of Learning |
| |
On Thinking for Oneself |
| |
On Criticism |
| |
On Reputation |
| |
On Genius |
|
Arthur Schopenhauer |
| EGOX030 |
As I Please
|
George Orwell * |
| ESTC004 |
Biographia Literaria
|
Samuel Taylor Coleridge |
| EATM007 |
Ceres' Runaway and Other Essays
| |
Ceres' Runaway |
| |
A Vanquished Man |
| |
A Northern Fancy |
| |
Laughter |
| |
Harlequin Mercutio |
| |
The Little Language |
| |
Anima Pellegrina! |
| |
The Sea Wall |
| |
The Daffodil |
| |
Addresses |
| |
The Audience |
| |
Tithonus |
| |
The Tow Path |
| |
The Tethered Constellations |
| |
Popular Burlesque |
| |
Dry Autumn |
| |
The Plaid |
| |
Two Burdens |
| |
The Unready |
| |
The Child of Tumult |
| |
The Child of Subsiding Tumult |
|
Alice Meynell |
| ACDW002 |
The Complete Essays
| |
A Night in the Garden of the Tuileries |
| |
Truthfullness |
| |
The Pursuit of Happiness |
| |
Literature and the Stage |
| |
The Life-Saving and Life Prolonging Art |
| |
"H.H." in Southern California |
| |
Simplicity |
| |
The English Volunteers During the Late Invasion |
| |
Nathan Hale |
| |
Fashions in Literature |
| |
The American Newspaper |
| |
Certain Diversities of American Life |
| |
The Pilgrim, and the American of Today |
| |
Some Causes of the Prevailing Discontent |
| |
The Education of the Negro |
| |
The Indeterminate Sentence - What Shall be Done With the Crimanl Class? |
| |
Literary Copyright |
| |
The Relation of Literature to Life |
| |
Equality |
| |
What Is Your Culture to Me? |
| |
Modern Fiction |
| |
Thoughts Suggested by Mr. Froude's "Progress" |
| |
England |
| |
The Novel and the Common School |
| |
The People For Whom Shakespeare Wrote |
| |
Rose and Chrysanthemum |
| |
The Red Bonnet |
| |
The Loss in Civilization |
| |
Social Screaming |
| |
Does Refinement Kill Individuality? |
| |
The Directoire Gown |
| |
The Mystery of the Sex |
| |
The Clothes of Fiction |
| |
The Broad A |
| |
Chewing Gum |
| |
Women in Congress |
| |
Shall Women Propose? |
| |
Frocks and the Stage |
| |
Altruism |
| |
Social Clearing-House |
| |
Dinner-Table Talk |
| |
Naturalization |
| |
The Art of Governing |
| |
Love of Display |
| |
Value of the Commonplace |
| |
The Burden of Christmas |
| |
The Responsibility of Writers |
| |
The Cap and Gown |
| |
A Tendency of the Age |
| |
A Locoed Novelist |
| |
Our President |
| |
The Newspaper-Made Man |
| |
Interesting Girls |
| |
Give the Men a Chance |
| |
The Advent of Candor |
| |
The American Man |
| |
The Electric Way |
| |
Can a Husband Open His Wife's Letters? |
| |
A Leisure Class |
| |
Weather and Character |
| |
Born With an "Ego" |
| |
Juventus Mundi |
| |
A Beautiful Old Age |
| |
The Attraction of the Repulsive |
| |
Giving as a Luxury |
| |
Climate and Happiness |
| |
The New Feminine Reserve |
| |
Repose in Activity |
| |
Women - Ideal and Real |
| |
The Art of Idleness |
| |
Is There Any Conversation? |
| |
The Tall Girl |
| |
The Deadly Diary |
| |
The Whistling Girl |
| |
Born Old and Rich |
| |
The "Old Soldier" |
| |
The Island of Bimini |
| |
June |
|
Charles Dudley Warner |
| AJLX025 |
The Cruise of the "Snark"
|
Jack London |
| EHHE002 |
The Dance of Life
|
Havelock Ellis |
| EGKC025 |
The Defendant
| |
A Defence of Penny Dreadfuls |
| |
A Defence of Rash Vows |
| |
A Defence of Skeletons |
| |
A Defence of Publicity |
| |
A Defence of Nonsense |
| |
A Defence of Planets |
| |
A Defence of China Shepherdesses |
| |
A Defence of Useful Information |
| |
A Defence of Heraldry |
| |
A Defence of Ugly Things |
| |
A Defence of Farce |
| |
A Defence of Humility |
| |
A Defence of Slang |
| |
A Defence of Baby-Worship |
| |
A Defence of Detective Stories |
| |
A Defence of Patriotism |
|
G. K. Chesterton |
| ECRD003 |
The Descent of Man [Illustrated]
|
Charles Darwin |
| AABX002 |
The Devil's Dictionary
|
Ambrose Bierce |
| ABFX007 |
The Drinker's Dictionary
|
Benjamin Franklin |
| EECN001 |
Early History of the Term Capital
|
Edwin Cannan |
| EACB003 |
Escape and Other Essays
| |
Escape |
| |
Literature and Life |
| |
The New Poets |
| |
Walt Whitman |
| |
Charm |
| |
Sunset |
| |
The House of Pengersick |
| |
Villages |
| |
Dreams |
| |
The Visitant |
| |
That Other One |
| |
Schooldays |
| |
Authorship |
| |
Herb Moly and Heartsease |
| |
Behold, this Dreamer Cometh |
|
A. C. Benson |
| EMEX018 |
Essay on Irish Bulls
|
Maria Edgeworth |
| EJAY001 |
Essays and Tales
| |
Censure |
| |
Chevy-Chase (1) |
| |
Chevy-Chase (2) |
| |
A Dream of the Painters |
| |
The English Language |
| |
Friendship |
| |
Genius |
| |
Good Nature (1) |
| |
Good Nature (2) |
| |
A Grinning Match |
| |
Household Superstitions |
| |
The Italian Opera |
| |
Lampoons |
| |
Opera Lions |
| |
Public Credit |
| |
Sa Ga Yean Qua Rash Tow's Impressions of London |
| |
Six Papers on Wit |
| |
Spare Time (1) |
| |
Spare Time (2) |
| |
Theodosius and Constantia |
| |
True and False Humour |
| |
Trust in God |
| |
The Vision of Marraton |
| |
The Vision of Mirza |
| |
Women and Wives |
|
Joseph Addison |
| ERLS012 |
Essays in the Art of Writing
| |
On Some Technical Elements of Style in Literature |
| |
The Morality of the Profession of Letters |
| |
Books Which Have Influenced Me |
| |
A Note on Realism |
| |
My First Book: ‘Treasure Island’ |
| |
The Genesis of ‘The Master of Ballantrae’ |
| |
Preface to ‘The Master of Ballantrae’ |
|
Robert Louis Stevenson |
| ABFX002 |
Essays, Editorial & Commentary
| |
Over Two-Hundred Essays & Editorials |
|
Benjamin Franklin |
| XPLB069 |
Explaining the Linguistic Diversity of Sahul Using Population Models
|
PLoS Biology |
| EHSX002 |
First Principles
|
Herbert Spencer |
| EHAG002 |
A History of Chinese Literature
|
Herbert Allen Giles |
| GFWN004 |
Homer and Classical Philology
|
Friedrich Nietzsche |
| AMTX022 |
How to Tell a Story & Others
| |
How to Tell a Story |
| |
The Wounded Soldier |
| |
The Golden Arm |
| |
Mental Telegraphy Again |
| |
The Invalid’s Story |
|
Mark Twain * |
| AIED001 |
Human Traits and Their Social Significance
|
Irwin Edman |
| AJDX007 |
Knowledge and Speech Reaction
|
John Dewey |
| FHLB001 |
Laughter: An Essay on the Meaning of the Comic
|
Henri Bergson |
| ABFX003 |
Letters & Correspondence
| |
Over one hundred and seventy Letters |
|
Benjamin Franklin |
| ATJX004 |
Letters & Correspondence
|
Thomas Jefferson |
| RJSX008 |
Marxism and Problems of Linguistics
|
Joseph Stalin * |
| GRCE014 |
Metaphors and Similes in Kant's Philosophy
|
Rudolf Eucken |
| AHKX002 |
The Story of My Life
|
Helen Keller |
| EALX014 |
New & Old Letters to Dead Authors
| |
To W. M. Thackeray |
| |
To Charles Dickens |
| |
To Pierre de Ronsard |
| |
To Herodotus |
| |
Epistle to Mr. Alexander Pope |
| |
To Lucian of Samosata |
| |
To Maitre Francoys Rabelais |
| |
To Jane Austen |
| |
To Master Isaak Walton |
| |
To M. Chapelain |
| |
To Sir John Maundeville, Kt. |
| |
To Alexandre Dumas |
| |
To Theocritus |
| |
To Edgar Allan Poe |
| |
To Sir Walter Scott, Bart. |
| |
To Eusebius of Caesarea |
| |
To Percy Bysshe Shelley |
| |
To Monsieur de Moliere, Valet de Chambre du Roi |
| |
To Robert Burns |
| |
To Lord Byron |
| |
To Omar Khayyam |
| |
To Q. Horatius Flaccus |
| |
To Master Geoffrey Chaucer |
| |
To James Anthony Froude, Esq. |
| |
To Horace Walpole, Earl of Oxford |
| |
To the Rev. Master John Barbour, Sometime Archdeacon of Aberdeen |
| |
To Mr. Samuel Richardson |
| |
To Henry Fielding |
| |
To Martin Farquhar Tapper, Esq. |
|
Andrew Lang |
| ETDQ004 |
The Note Book of An English Opium-Eater
| |
Three Memorable Murders |
| |
The True Relations of the Bible to Merely Human Science |
| |
Schlosser's Literary History of the Eighteenth Century |
| |
The Antigone of Sophocles, As Represented on the Edinburgh Stage |
| |
The Marquess Wellesley |
| |
Milton Versus Southey and Landor |
| |
Falsification of English History |
| |
A Peripatetic Philosopher |
| |
On Suicide |
| |
Superficial Knowledge |
| |
English Dictionaries |
| |
Dryden's Hexastitch |
| |
Pope's Retort Upon Addison |
|
Thomas De Quincey |
| ESTC006 |
Omniana
| |
The French Decade |
| |
Ride and Tie |
| |
Jeremy Taylor |
| |
Criticism |
| |
Public Instruction |
| |
Picturesque Words |
| |
Toleration |
| |
War |
| |
Parodies |
| |
M. Dupuis |
| |
Origin of the Worship of Hymen |
| |
Egotism |
| |
Cap of Liberty |
| |
Bulls |
| |
Wise Ignorance |
| |
Rouge |
| |
Hasty Words |
| |
Motives and Impulses |
| |
Inward Blindness |
| |
The Vices of Slaves No Excuse for Slavery |
| |
Circulation of the Blood |
| |
Periturae Parcere Chartae |
| |
To Have and to Be |
| |
Party Passion |
| |
Goodness of Heart Indispensable to A Man of Genius |
| |
Milton and Ben Jonson |
| |
Statistics |
| |
Magnanimity |
| |
Negros and Narcissuses |
| |
An Anecdote |
| |
The Pharos At Alexandria |
| |
Sense and Common Sense |
| |
Toleration - 2 |
| |
Hint for A New Species of History |
| |
Text Sparring |
| |
Pelagianism |
| |
The Soul and its Organs of Sense |
| |
Sir George Etherege, Etc |
| |
Evidence |
| |
Force of Habit |
| |
Phoenix |
| |
Memory and Recollection |
| |
Brevity of the Greek and English Compared |
| |
The Will and the Deed |
| |
The Will for the Deed |
| |
Sincerity |
| |
Truth and Falsehood |
| |
Religious Ceremonies |
| |
Association |
| |
Curiosity |
| |
New Truths |
| |
Vicious Pleasures |
| |
Meriting Heaven |
| |
Dust to Dust |
| |
Human Countenance |
| |
Lie Useful to Truth |
| |
Science in Roman Catholic States |
| |
Voluntary Belief |
| |
Amanda |
| |
Hymen's Torch |
| |
Youth and Age |
| |
December Morning |
| |
Archbishop Leighton |
| |
Christian Honesty |
| |
Inscription on A Clock in Cheapside |
| |
Rationalism is Not Reason |
| |
Inconsistency |
| |
Hope in Humanity |
| |
Self-love in Religion |
| |
Limitation of Love of Poetry |
| |
Humility of the Amiable |
| |
Temper in Argument |
| |
Patriarchal Government |
| |
Callous Self-conceit |
| |
A Librarian |
| |
Trimming |
| |
Death |
| |
Love An Act of the Will |
| |
Wedded Union |
| |
Difference Between Hobbes and Spinosa |
| |
The End May Justify the Means |
| |
Negative Thought |
| |
Man's Return to Heaven |
| |
Young Prodigies |
| |
Welch Names |
| |
German Language |
| |
The Universe |
| |
Harberous |
| |
An Admonition |
| |
To Thee Cherubim and Seraphim Continually Do Cry |
| |
Definition of Miracle |
| |
Death, and Grounds of Belief in A Future State |
| |
Hatred of Injustice |
| |
Religion |
| |
The Apostles' Creed |
| |
A Good Heart |
| |
Evidences of Christianity |
| |
Confessio Fidei |
|
Samuel Taylor Coleridge |
| EHSX003 |
The Philosophy of Style
|
Herbert Spencer |
| EGOX002 |
Politics and the English Language
|
George Orwell * |
| EGAX015 |
Post-Prandial Philosophy
| |
The Struggle for Life Among Languages |
| |
In the Matter of Aristocracy |
| |
Science in Education |
| |
The Theory of Scapegoats |
| |
American Duchesses |
| |
Is England Played Out? |
| |
The Game and the Rules |
| |
The Rôle of Prophet |
| |
The Romance of the Clash of Races |
| |
The Monopolist Instincts |
| |
“Mere Amateurs” |
| |
A Squalid Village |
| |
Concerning Zeitgeist |
| |
The Decline of Marriage |
| |
Eye Versus Ear |
| |
The Political Pupa |
| |
On the Casino Terrace |
| |
The Celtic Fringe |
| |
Imagination and Radicals |
| |
About Abroad |
| |
Why England Is Beautiful |
| |
Anent Art Production |
| |
A Glimpse into Utopia |
| |
Of Second Chambers |
| |
A Point of Criticism |
|
Grant Allen |
| AGHM005 |
The Relations of Psychology and Philology
|
George Herbert Mead |
| ECDX028 |
Reprinted Pieces
| |
The Long Voyage |
| |
The Begging-Letter Writer |
| |
A Child's Dream of A Star |
| |
Our English Watering-Place |
| |
Our French Watering-Place |
| |
Bill-Sticking |
| |
Births. Mrs. Meek, Of a Son |
| |
Lying Awake |
| |
The Ghost of Art |
| |
Out of Town |
| |
Out of the Season |
| |
A Poor Man's Tale of a Patent |
| |
The Noble Savage |
| |
A Flight |
| |
The Detective Police |
| |
Three 'Detective' Anecdotes |
| |
On Duty With Inspector Field |
| |
Down With The Tide |
| |
A Walk in a Workhouse |
| |
Prince Bull. A Fairy Tale |
| |
A Plated Article |
| |
Our Honorable Friend |
| |
Our School |
| |
Our Vestry |
| |
Our Bore |
| |
A Monument to French Folly |
|
Charles Dickens |
| AJFC017 |
A Residence in France
| |
A Residence in France |
| |
Excursion Up the Rhine, Etc |
| |
Second Visit to Switzerland |
|
James Fenimore Cooper |
| EATM004 |
The Rhythm of Life & Other Essays
| |
The Rhythm of Life |
| |
Decivilised |
| |
A Remembrance |
| |
The Sun |
| |
The Flower |
| |
Unstable Equilibrium |
| |
The Unit of the World |
| |
By the Railway Side |
| |
Pocket Vocabularies |
| |
Pathos |
| |
The Point of Honour |
| |
Composure |
| |
Dr. Oliver Wendell Holmes |
| |
James Russell Lowell |
| |
Domus Angusta |
| |
Rejection |
| |
The Lesson of Landscape |
| |
Mr. Coventry Patmore’s Odes |
| |
Innocence and Experience |
| |
Penultimate Caricature |
|
Alice Meynell |
| EGAX011 |
Science in Arcady
| |
My Islands |
| |
Tropical Education |
| |
On the Wings of the Wind |
| |
A Desert Fruit |
| |
Pretty Poll |
| |
High Life |
| |
Eight-Legged Friends |
| |
Mud |
| |
The Greenwood Tree |
| |
Fish As Fathers |
| |
An English Shire |
| |
The Bronze Axe |
| |
The Isle of Ruim |
| |
A Hill-top Stronghold |
| |
A Persistent Nationality |
| |
Casters and Chesters |
|
Grant Allen |
| IOWX018 |
Shorter Prose and Essays
| |
Phrases and Philosophies for the Use of the Young |
| |
Mrs. Langtry As Hester Grazebrook |
| |
Slaves of Fashion |
| |
Woman’s Dress |
| |
More Radical Ideas Upon Dress Reform |
| |
Mr. Whistler’s Ten O’clock |
| |
The Relation of Dress to Art: A Note in Black and White on Mr. Whistler’s Lecture |
| |
Costume |
| |
Keats’s Sonnet on Blue |
| |
The American Invasion |
| |
The Unity of the Arts: A Lecture and A Five O’clock |
| |
Sermons in Stones At Bloomsbury the New Sculpture Room At the British Museum |
| |
Art At Willis’s Rooms |
| |
Mr. Morris on Tapestry |
| |
Sculpture At the Arts and Crafts |
| |
Printing and Printers |
| |
The Beauties of Bookbinding |
| |
The Close of the Arts and Crafts |
| |
English Poetesses |
| |
London Models |
| |
The English Renaissance of Art |
| |
House Decoration |
| |
Art and the Handicraftsman |
| |
Lecture to Art Students |
| |
L’Envoi |
|
Oscar Wilde * |
| ERLS006 |
In The South Seas
|
Robert Louis Stevenson |
| AOWX002 |
A Straight Deal
|
Owen Wister |
| GSFX115 |
The Subleties of a Parapraxis
|
Sigmund Freud |
| EANW003 |
Symbolism, Its Meaning and Effect
|
Alfred North Whitehead |
| AJDX020 |
The Terms 'Conscious' and 'Consciousness'
|
John Dewey |
| EWHH010 |
A Traveller in Little Things
| |
How I Found My Title |
| |
The Old Man’s Delusion |
| |
As A Tree Falls |
| |
“Blood” - A Story of Two Brothers |
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A Story of Long Descent |
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A Second Story of Two Brothers |
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A Third Story of Two Brothers |
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The Two White Houses: A Memory |
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Dandy - A Story of A Dog |
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The Samphire Gatherer |
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A Surrey Village |
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A Wiltshire Village |
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Her Own Village |
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Apple Blossoms and A Lost Village |
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The Vanishing Curtsey |
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Little Girls I Have Met |
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Millicent and Another |
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Freckles |
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On Cromer Beach |
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Dimples |
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Wild Flowers and Little Girls |
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A Little Girl Lost |
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A Spray of Southernwood |
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In Portchester Churchyard |
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Homeless |
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The Story of A Skull |
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A Story of A Walnut |
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A Story of A Jackdaw |
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A Wonderful Story of A Mackerel |
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Strangers Yet |
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The Return of the Chiff-chaff |
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A Wasp At Table |
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Wasps and Men |
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In Chitterne Churchyard |
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A Haunter of Churchyards |
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The Dead and the Living |
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Three Poems |
|
W. H. Hudson |
| AJCH002 |
Uncle Remus
| |
Legends of the Old Plantation |
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Plantation Proverbs |
| |
His Songs |
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His Sayings |
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Transcriptions |
|
Joel Chandler Harris |
| GFWN005 |
We Philologists
|
Friedrich Nietzsche |
| EGBW005 |
Wild Wales: Its People, Language and Scenery
|
George Borrow |
| EIZX001 |
Without Prejudice
|
Israel Zangwill |
| EALX018 |
In the Wrong Paradise & Other Stories
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The End of Phaeacia |
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The Prophecy |
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A Cheap Nigger |
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The Romance of the First Radical |
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A Duchess's Secret |
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The House of Strange Stories |
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In Castle Perilous |
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The Great Gladstone Myth |
| |
My Friend the Beach-comber |
|
Andrew Lang |
| EMXB002 |
Yet Again
| |
The Fire |
| |
Seeing People Off |
| |
A Memory of a Midnight Express |
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Porro Unum... |
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A Club in Ruins |
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'273' |
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A Study In Dejection |
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A Pathetic Imposture |
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The Decline of the Graces |
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Whistler's Writing |
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Ichabod |
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General Elections |
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A Parallel |
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A Morris for May-Day |
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The House of Commons Manner |
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The Naming of Streets |
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On Shakespeare's Birthday |
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A Home-Coming |
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The Ragged Regiment |
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The Humour of the Public |
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Dulcido Judiciorum |
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Words For Pictures |
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Some Criticisms of the First Edition |
|
Max Beerbohm |
| EGBW001 |
The Zincali: An Account of the Gypsies of Spain
|
George Borrow |
Chrysoma Associates Limited
