| eBook Code |
Title |
Author |
| TBCX001 |
Aesthetic as Science of Expression and General Linguistic
|
Benedetto Croce |
| GFSX013 |
Aesthetical Essays
| |
The Moral Utility of Aesthetic Manners |
| |
On the Sublime |
| |
The Pathetic |
| |
On Grace and Dignity |
| |
On Dignity |
| |
On the Necessary Limitations in the Use of Beauty of Form |
| |
Reflections on the Use of the Vulgar and Low Elements in Works of Art |
| |
Detached Reflections on Different Questions of Aesthetics |
| |
On Simple and Sentimental Poetry |
| |
Sentimental Poetry |
| |
Satirical Poetry |
| |
Elegiac Poetry |
| |
Idyl |
| |
The Stage as a Moral Institution |
| |
On the Tragic Art |
| |
Of the Cause of the Pleasure We Derive from Tragic Objects |
|
Friedrich Schiller |
| EGKC029 |
Alarms and Discursions
| |
On Gargoyles |
| |
The Surrender of a Cockney |
| |
The Nightmare |
| |
The Telegraph Poles |
| |
A Drama of Dolls |
| |
The Man and His Newspaper |
| |
The Appetite of Earth |
| |
Simmons and the Social Tie |
| |
Cheese |
| |
The Red Town |
| |
The Furrows |
| |
The Philosophy of Sight-seeing |
| |
A Criminal Head |
| |
The Wrath of the Roses |
| |
The Gold of Glastonbury |
| |
The Futurists |
| |
Dukes |
| |
The Glory of Grey |
| |
The Anarchist |
| |
How I Found the Superman |
| |
The New House |
| |
The Wings of Stone |
| |
The Three Kinds of Men |
| |
The Steward of the Chiltern Hundreds |
| |
The Field of Blood |
| |
The Strangeness of Luxury |
| |
The Triumph of the Donkey |
| |
The Wheel |
| |
Five Hundred and Fifty-five |
| |
Ethandune |
| |
The Flat Freak |
| |
The Garden of the Sea |
| |
The Sentimentalist |
| |
The White Horses |
| |
The Long Bow |
| |
The Modern Scrooge |
| |
The High Plains |
| |
The Chorus |
| |
A Romance of the Marshes |
|
G. K. Chesterton |
| EWBS002 |
As We Are and As We May Be
| |
The Endowment of the Daughter |
| |
From Thirteen to Seventeen |
| |
The People’s Palace |
| |
Sunday Morning in the City |
| |
A Riverside Parish |
| |
St. Katherine’s by the Tower |
| |
The Upward Pressure |
| |
The Land of Romance |
| |
The Land of Reality |
| |
Art and the People |
| |
The Amusements of the People |
| |
The Associated Life |
|
Walter Besant |
| EEVL004 |
A Boswell of Baghdad and Diversions
| |
A Boswell of Baghdad |
| |
Nurses |
| |
No. 344260 |
| |
The Two Perkinses |
| |
Arts of Invasion |
| |
The Marble Arch and Peter Magnus |
| |
The Oldest Joke |
| |
The Puttenhams |
| |
Poetry Made Easy |
| |
A Pioneer |
| |
Full Circle |
| |
A Friend of Man |
| |
The Listener |
| |
The Dark Secret |
| |
The Scholar and the Pirate |
| |
A Set of Three |
| |
A Lesson |
| |
A Revel in Gambogia |
| |
The Misfire |
| |
A Letter |
| |
A Manor in the Air |
| |
Rivalry |
| |
A First Communion in the War Zone |
| |
The Ace of Diamonds |
| |
The Reward of our Brother the Poilu |
|
E. V. Lucas |
| EATM002 |
The Colour of Life
| |
The Colour of Life |
| |
A Point of Biography |
| |
Cloud |
| |
Winds of the World |
| |
The Honours of Mortality |
| |
At Monastery Gates |
| |
Rushes and Reeds |
| |
Eleonora Duse |
| |
Donkey Races |
| |
Grass |
| |
A Woman in Grey |
| |
Symmetry and Incident |
| |
The Illusion of Historic Time |
| |
Eyes |
|
Alice Meynell |
| EAJX001 |
The Coming of the Friars and Other Historical Essays
| |
The Coming of the Friars |
| |
Village Life Six Hundred Years Ago |
| |
Daily Life in A Medieval Monastery |
| |
The Black Death in East Anglia |
| |
The Building Up of A University |
| |
The Prophet of Walnut-tree Yard |
|
Augustus Jessopp |
| ACDW002 |
The Complete Essays
| |
A Night in the Garden of the Tuileries |
| |
Truthfullness |
| |
The Pursuit of Happiness |
| |
Literature and the Stage |
| |
The Life-Saving and Life Prolonging Art |
| |
"H.H." in Southern California |
| |
Simplicity |
| |
The English Volunteers During the Late Invasion |
| |
Nathan Hale |
| |
Fashions in Literature |
| |
The American Newspaper |
| |
Certain Diversities of American Life |
| |
The Pilgrim, and the American of Today |
| |
Some Causes of the Prevailing Discontent |
| |
The Education of the Negro |
| |
The Indeterminate Sentence - What Shall be Done With the Crimanl Class? |
| |
Literary Copyright |
| |
The Relation of Literature to Life |
| |
Equality |
| |
What Is Your Culture to Me? |
| |
Modern Fiction |
| |
Thoughts Suggested by Mr. Froude's "Progress" |
| |
England |
| |
The Novel and the Common School |
| |
The People For Whom Shakespeare Wrote |
| |
Rose and Chrysanthemum |
| |
The Red Bonnet |
| |
The Loss in Civilization |
| |
Social Screaming |
| |
Does Refinement Kill Individuality? |
| |
The Directoire Gown |
| |
The Mystery of the Sex |
| |
The Clothes of Fiction |
| |
The Broad A |
| |
Chewing Gum |
| |
Women in Congress |
| |
Shall Women Propose? |
| |
Frocks and the Stage |
| |
Altruism |
| |
Social Clearing-House |
| |
Dinner-Table Talk |
| |
Naturalization |
| |
The Art of Governing |
| |
Love of Display |
| |
Value of the Commonplace |
| |
The Burden of Christmas |
| |
The Responsibility of Writers |
| |
The Cap and Gown |
| |
A Tendency of the Age |
| |
A Locoed Novelist |
| |
Our President |
| |
The Newspaper-Made Man |
| |
Interesting Girls |
| |
Give the Men a Chance |
| |
The Advent of Candor |
| |
The American Man |
| |
The Electric Way |
| |
Can a Husband Open His Wife's Letters? |
| |
A Leisure Class |
| |
Weather and Character |
| |
Born With an "Ego" |
| |
Juventus Mundi |
| |
A Beautiful Old Age |
| |
The Attraction of the Repulsive |
| |
Giving as a Luxury |
| |
Climate and Happiness |
| |
The New Feminine Reserve |
| |
Repose in Activity |
| |
Women - Ideal and Real |
| |
The Art of Idleness |
| |
Is There Any Conversation? |
| |
The Tall Girl |
| |
The Deadly Diary |
| |
The Whistling Girl |
| |
Born Old and Rich |
| |
The "Old Soldier" |
| |
The Island of Bimini |
| |
June |
|
Charles Dudley Warner |
| AJUH002 |
Confessions and Criticisms
| |
A Preliminary Confession |
| |
Novels and Agnosticism |
| |
Americanism in Fiction |
| |
Literature for Children |
| |
The Moral Aim in Fiction |
| |
The Maker of Many Books |
| |
Mr. Mallock's Missing Science |
| |
Theodore Winthrop's Writings |
| |
Emerson as an American |
| |
Modern Magic |
| |
American Wild Animals in Art |
|
Julian Hawthorne |
| ATPX009 |
The Construction of Iron Bridges
|
Thomas Paine |
| ESMX043 |
Don Fernando
|
W. Somerset Maugham |
| ARWE001 |
Essays
| |
Art |
| |
Character |
| |
Circles |
| |
Compensation |
| |
Experience |
| |
Friendship |
| |
Gifts |
| |
Heroism |
| |
History Repeats Itself |
| |
Intellect |
| |
Love |
| |
Manners |
| |
Nature |
| |
Nominalist and Realist |
| |
The Over-Soul |
| |
The Poet |
| |
Politics |
| |
Prudence |
| |
Self-Reliance |
| |
Spiritual Laws |
|
Ralph Waldo Emerson |
| ERJX005 |
Field and Hedgerow
| |
Hours of Spring |
| |
Nature and Books |
| |
The July Grass |
| |
Winds of Heaven |
| |
The Country Sunday |
| |
The Country-side: Sussex |
| |
Swallow-Time |
| |
Buckhurst Park |
| |
House-Martins |
| |
Among the Nuts |
| |
Walks in the Wheat-fields |
| |
Just Before Winter |
| |
Locality and Nature |
| |
Country Places |
| |
Field Words and Ways |
| |
Cottage Ideas |
| |
April Gossip |
| |
Some April Insects |
| |
The Time of Year |
| |
Mixed Days of May and December |
| |
The Makers of Summer |
| |
Steam on Country Roads |
| |
Field Sports in Art |
| |
Birds’ Nests |
| |
Nature in the Louvre |
| |
Summer in Somerset |
| |
An English Deer-Park |
| |
My Old Village |
| |
My Chaffinch |
|
Richard Jefferies |
| EACB001 |
From A College Window
| |
The Point of View |
| |
On Growing Older |
| |
Books |
| |
Sociabilities |
| |
Conversation |
| |
Beauty |
| |
Art |
| |
Egotism |
| |
Education |
| |
Authorship |
| |
The Criticism of Others |
| |
Priests |
| |
Ambition |
| |
The Simple Life |
| |
Games |
| |
Spiritualism |
| |
Habits |
| |
Religion |
|
A. C. Benson |
| EWHH008 |
A Hind in Richmond Park
|
W. H. Hudson |
| EVLX003 |
Hortus Vitae: Essays on the Gardening of Life
| |
The Garden of Life - Introductory |
| |
In Praise of Governesses |
| |
On Going to the Play |
| |
Reading Books |
| |
Hearing Music |
| |
Receiving Letters |
| |
New Friends and Old |
| |
Other Friendships |
| |
A Hotel Sitting-room |
| |
In Praise of Courtship |
| |
Knowing One's Mind |
| |
Against Talking |
| |
In Praise of Silence |
| |
The Blame of Portraits |
| |
Sere and Yellow |
| |
A Stage Jewel |
| |
My Bicycle and I |
| |
Puzzles of the Past |
| |
Making Presents |
| |
Going Away |
| |
Coming Back |
| |
Losing One's Train |
| |
The Hanging Gardens |
|
Vernon Lee * |
| EHHE003 |
Impressions and Comments
|
Havelock Ellis |
| IOWX023 |
Intentions
| |
The Decay of Lying |
| |
Pen, Pencil and Poison |
| |
The Critic As Artist |
| |
The Truth of Masks - A Note on Illusion |
|
Oscar Wilde * |
| EVLX004 |
Laurus Nobilis
| |
The Use of Beauty |
| |
“Nisi Citharam.” |
| |
Higher Harmonies |
| |
Beauty and Sanity |
| |
The Art and the Country |
| |
Art and Usefulness |
| |
Wasteful Pleasures |
|
Vernon Lee * |
| ATJX004 |
Letters & Correspondence
|
Thomas Jefferson |
| GFSX010 |
Letters Upon the Aesthetic Education of Man
|
Friedrich Schiller |
| FEZX019 |
The Masterpiece
|
Emile Zola |
| GSFX014 |
The Moses of Michaelangelo [Illustrated]
|
Sigmund Freud |
| FSBX001 |
My Double Life
|
Sarah Bernhardt * |
| AIBB002 |
The New Laokoon
|
Irving Babbitt |
| EAHX004 |
On The Margin
| |
Centenaries |
| |
On Re-reading “Candide” |
| |
Accidie |
| |
Subject-Matter of Poetry |
| |
Water Music |
| |
Pleasures |
| |
Modern Folk Poetry |
| |
Bibliophily |
| |
Democratic Art |
| |
Accumulations |
| |
On Deviating into Sense |
| |
Polite Conversation |
| |
Nationality in Love |
| |
How the Days Draw In! |
| |
Tibet |
| |
Beauty in 1920 |
| |
Great Thoughts |
| |
Advertisement |
| |
Euphues Redivivus |
| |
The Author of “Eminent Victorians” |
| |
Edward Thomas |
| |
A Wordsworth Anthology |
| |
Verhaeren |
| |
Edward Lear |
| |
Sir Christopher Wren |
| |
Ben Jonson |
| |
Chaucer |
|
Aldous Huxley |
| GFVS001 |
On the Relation of the Plastic Arts to Nature
|
Friedrich Von Schelling |
| ANHX014 |
Passages From the French and Italian Note-Books
|
Nathaniel Hawthorne |
| ACSD004 |
A Persian Pearl and Other Essays
| |
A Persian Pearl |
| |
Walt Whitman |
| |
Robert Burns |
| |
Realism in Literature and Art |
| |
The Skeleton in the Closet |
|
Clarence Darrow |
| EAWS001 |
Plays, Acting and Music
| |
An Apology for Puppets |
| |
Nietzsche on Tragedy |
| |
Sarah Bernhardt |
| |
Coquelin and Molière: Some Aspects |
| |
Réjane |
| |
Yvette Guilbert |
| |
Sir Henry Irving |
| |
Duse in Some of Her Parts |
| |
Annotations by the Way |
| |
M. Capus in England |
| |
A Double Enigma |
| |
Professional and Unprofessional |
| |
Tolstoi and Others |
| |
Some Problem Plays |
| |
"Monna, Vanna" |
| |
The Question of Censorship |
| |
A Play and the Public |
| |
The Test of the Actor |
| |
The Price of Realism |
| |
On Crossing Stage to Right |
| |
The Speaking of Verse |
| |
Great Acting in English |
| |
A Theory of the Stage |
| |
The Sicilian Actors |
| |
On Writing About Music |
| |
Technique and the Artist |
| |
Pachmann and the Piano |
| |
Paderewski |
| |
A Reflection At A Dolmetsch Concert |
| |
The Dramatisation of Song |
| |
The Meiningen Orchestra |
| |
Mozart in the Mirabell-Garten |
| |
Notes on Wagner At Bayreuth |
| |
A Paradox on Art |
|
Arthur Symons |
| AJFC017 |
A Residence in France
| |
A Residence in France |
| |
Excursion Up the Rhine, Etc |
| |
Second Visit to Switzerland |
|
James Fenimore Cooper |
| EATM004 |
The Rhythm of Life & Other Essays
| |
The Rhythm of Life |
| |
Decivilised |
| |
A Remembrance |
| |
The Sun |
| |
The Flower |
| |
Unstable Equilibrium |
| |
The Unit of the World |
| |
By the Railway Side |
| |
Pocket Vocabularies |
| |
Pathos |
| |
The Point of Honour |
| |
Composure |
| |
Dr. Oliver Wendell Holmes |
| |
James Russell Lowell |
| |
Domus Angusta |
| |
Rejection |
| |
The Lesson of Landscape |
| |
Mr. Coventry Patmore’s Odes |
| |
Innocence and Experience |
| |
Penultimate Caricature |
|
Alice Meynell |
| ETHH002 |
Science and Education
| |
Joseph Priestley |
| |
On the Educational Value of the Natural History Sciences |
| |
Emancipation - Black and White |
| |
A Liberal Education; and Where to Find It |
| |
Scientific Education: Notes of An After-dinner Speech |
| |
Science and Culture |
| |
On Science and Art in Relation to Education |
| |
Universities: Actual and Ideal |
| |
Address on University Education |
| |
On the Study of Biology |
| |
On Elementary Instruction in Physiology |
| |
On Medical Education |
| |
The State and the Medical Profession |
| |
The Connection of the Biological Sciences with Medicine |
| |
The School Boards: What They Can Do, and What They May Do |
| |
Technical Education |
| |
Address on Behalf of the National Association for the Promotion of Technical Education |
|
Thomas Huxley |
| SGSX007 |
The Sense of Beauty
|
George Santayana |
| EJRX001 |
Seven Discourses on Art
|
Joshua Reynolds |
| IOWX018 |
Shorter Prose and Essays
| |
Phrases and Philosophies for the Use of the Young |
| |
Mrs. Langtry As Hester Grazebrook |
| |
Slaves of Fashion |
| |
Woman’s Dress |
| |
More Radical Ideas Upon Dress Reform |
| |
Mr. Whistler’s Ten O’clock |
| |
The Relation of Dress to Art: A Note in Black and White on Mr. Whistler’s Lecture |
| |
Costume |
| |
Keats’s Sonnet on Blue |
| |
The American Invasion |
| |
The Unity of the Arts: A Lecture and A Five O’clock |
| |
Sermons in Stones At Bloomsbury the New Sculpture Room At the British Museum |
| |
Art At Willis’s Rooms |
| |
Mr. Morris on Tapestry |
| |
Sculpture At the Arts and Crafts |
| |
Printing and Printers |
| |
The Beauties of Bookbinding |
| |
The Close of the Arts and Crafts |
| |
English Poetesses |
| |
London Models |
| |
The English Renaissance of Art |
| |
House Decoration |
| |
Art and the Handicraftsman |
| |
Lecture to Art Students |
| |
L’Envoi |
|
Oscar Wilde * |
| AWHC001 |
Soviet Russia: A Living Record and a History
|
William Henry Chamberlin |
| ERSH002 |
The Spell of Egypt
|
Robert S. Hichens |
| EWHZ001 |
Table Talk: Essays On Men and Matters
| |
On The Pleasure of Painting |
| |
On The Past and Future |
| |
On Genius and Common Sense |
| |
Character of Cobbett |
| |
On People With One Idea |
| |
On The Ignorance of the Learned |
| |
The Indian Jugglers |
| |
On Living to One's Self |
| |
On Thought and Action |
| |
On Will-Making |
| |
On Certain Inconsistencies in Sir Joshua Reynolds Discourses |
| |
On Paradox and Common-Place |
| |
On Vulgarity and Affectation |
| |
On A Landscape of Nicolas Poussin |
| |
On Milton's Sonnets |
| |
On Going A Journey |
| |
On Coffee-House Politicians |
| |
On The Aristocracy of Letters |
| |
On Criticism |
| |
On Great and Little Things |
| |
On Familiar Style |
| |
On Effeminancy of Character |
| |
Why Distant Objects Please |
| |
On Corporate Bodies |
| |
Whether Actors Ought to Sit in the Boxes? |
| |
On The Disadvantages of Intellectual Superiority |
| |
On Patronage and Puffing |
| |
On The Knowledge of Character |
| |
On The Picturesque and Ideal |
| |
On The Fear of Death |
|
William Hazlitt |
| EGKC023 |
Tremendous Trifles
| |
Tremendous Trifles |
| |
A Piece of Chalk |
| |
The Secret of a Train |
| |
The Perfect Game |
| |
The Extraordinary Cabman |
| |
An Accident |
| |
The Advantages of Having One Leg |
| |
The End of the World |
| |
In the Place de La Bastille |
| |
On Lying in Bed |
| |
The Twelve Men |
| |
The Wind and the Trees |
| |
The Dickensian |
| |
In Topsy-Turvy Land |
| |
What I Found in My Pocket |
| |
The Dragon's Grandmother |
| |
The Red Angel |
| |
The Tower |
| |
How I Met the President |
| |
The Giant |
| |
A Great Man |
| |
The Orthodox Barber |
| |
The Toy Theatre |
| |
A Tragedy of Twopence |
| |
A Cab Ride Across Country |
| |
The Two Noises |
| |
Some Policemen and a Moral |
| |
The Lion |
| |
Humanity: an Interlude |
| |
The Little Birds Who Won't Sing |
| |
The Riddle of the Ivy |
| |
The Travellers in State |
| |
The Prehistoric Railway Station |
| |
The Diabolist |
| |
A Glimpse of My Country |
| |
A Somewhat Improbable Story |
| |
The Shop Of Ghosts |
| |
The Ballade of a Strange Town |
| |
The Mystery of a Pageant |
|
G. K. Chesterton |
| AJFX002 |
The Unseen World & Other Essays
|
John Fiske |
| ESMX052 |
The Vagrant Mood
| |
Augustus |
| |
Zurbaran |
| |
The Decline and Fall of the Detective Story |
| |
After Reading Burke |
| |
Reflections on a Certain Book |
| |
Some Novelists I Have Known |
|
W. Somerset Maugham |
| AJBS002 |
Winter Sunshine
|
John Burroughs |
| EMXB002 |
Yet Again
| |
The Fire |
| |
Seeing People Off |
| |
A Memory of a Midnight Express |
| |
Porro Unum... |
| |
A Club in Ruins |
| |
'273' |
| |
A Study In Dejection |
| |
A Pathetic Imposture |
| |
The Decline of the Graces |
| |
Whistler's Writing |
| |
Ichabod |
| |
General Elections |
| |
A Parallel |
| |
A Morris for May-Day |
| |
The House of Commons Manner |
| |
The Naming of Streets |
| |
On Shakespeare's Birthday |
| |
A Home-Coming |
| |
The Ragged Regiment |
| |
The Humour of the Public |
| |
Dulcido Judiciorum |
| |
Words For Pictures |
| |
Some Criticisms of the First Edition |
|
Max Beerbohm |
| EABZ012 |
Your United States
|
Arnold Bennett |
Chrysoma Associates Limited
